The album cover was designed by Vlad Sepetov, who created the album covers for Lamar's last two projects – To Pimp a Butterfly and Untitled Unmastered. On April 11, 2017, Lamar revealed the cover artwork for Damn. Musical style ĭamn has been characterized as conscious rap with elements of trap, R&B and pop. It's one of my favorite rhythms and tempos within the album".
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in the studio": "It plays as a full story and even a better rhythm. Lamar has said in interviews that the ability to play the album in reverse tracklist order was "premeditated . Lamar proposed that it sound like "chaos", and Mike Will put together the second half of the song with the intention to make it "sound like he's battling the beat". After the first verse of "DNA" was recorded with the beat that Mike Will had already prepared, Lamar started rapping the second verse a cappella, requesting that Mike Will build the beat around the rap. " DNA" was the second song from the album to be recorded by Lamar and Mike Will, after " Humble". After recording, it was initially agreed upon that it would be released on Mike Will's debut album Ransom 2, but others convinced Lamar to keep it for his own next album. The beat for "Humble" was developed by Mike Will with the intention of recording with Gucci Mane, but later showed it to Lamar. In 2020, the album was ranked 175th on Rolling Stone 's updated list of the 500 Greatest Albums of All Time. It became the first non-jazz or classical work to earn a Pulitzer Prize for Music and won Best Rap Album at the 2018 Grammy Awards, as well receiving a nomination for Album of the Year at the ceremony. Damn was certified triple platinum by the Recording Industry Association of America (RIAA) in May 2018 and was also the Billboard Year-End number one album of 2017.ĭamn topped The Village Voice 's Pazz & Jop critics poll and was named one of the best albums of 2017 and the decade by several other publications. It was supported by three official singles: " Humble", " Loyalty", and " Love", the first of which became Lamar's first number-one single on the US Billboard Hot 100 as a lead artist. It also topped the chart of Canada while reaching number two in Australia, Belgium, Denmark, Ireland, the Netherlands, Norway, Sweden, and the United Kingdom. Damn features appearances from singers Rihanna and Top Dawg singer Zacari, along with Irish rock band U2.ĭamn received widespread critical acclaim and topped the US Billboard 200 with 603,000 album-equivalent units earned in its first week. The album features production from a variety of record producers, including executive producer and Top Dawg Entertainment label-head Anthony "Top Dawg" Tiffith, Sounwave, DJ Dahi, Mike Will Made It, and Ricci Riera as well as further production contributions from James Blake, Steve Lacy, BadBadNotGood, Greg Kurstin, The Alchemist, and 9th Wonder, among others. It was released on April 14, 2017, through Top Dawg Entertainment, Aftermath Entertainment and Interscope Records. It was another reminder of who Lamar was before he became who he is.Damn (stylized as DAMN.) is the fourth studio album by American rapper Kendrick Lamar. His only guests were members of L.A.’s Top Dawg crew: Isaiah Rashad, who rapped his “Free Lunch,” and Jay Rock, who joined Lamar for “Money Trees.”Īnd when he introduced “A.D.H.D,” he talked about how much it meant on his way up to talk with people who’d shared the experience of drug abuse he describes in the song. The rapper’s skillful live band set up sonic juxtapositions to go with the visual ones: smooth and silky in “Complexion (A Zulu Love),” dense and funky in “These Walls,” crunchy and metallic in a furious rendition of “Backseat Freestyle” that might’ve satisfied a Korn fan in 1999.Īs expansive as he got, though, Lamar was taking pains to root the music in the hometown he said he always kept in mind on his travels. Which man represents a bigger threat? Lamar seemed to be asking as he wore a shirt that read “Image more valued than truth.”
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During “Bitch, Don’t Kill My Vibe,” footage of Snoop Dogg sitting cucumber-cool in a courtroom alternated with Bill O’Reilly hurling insults on the set of “Inside Edition.”